Talking Type 1 Diabetes and Music with Spotify Leader Austin Kramer - sticklesstes1943

DiabetesMine spoke with Kramer in late November 2021 well-nig his career and life with T1D, and how that's all get along unneurotic to motivate him to recognize diabetes in the music curation world he's professionally invested in, while helping to raise awareness around T1D.

When and where were you diagnosed with T1D?

My dad was in the Army when I was ontogenesis up, thusly I was born in Germany when he was stationed there. We affected back to South Carolina after then moved to Oklahoma, Sakartvelo, Old Dominion, Tennessee, and Kentucky. We were clean compass north of Nashville in Clarksville, Kentucky, and that's where I was diagnosed in the overwinter of 1994 when I was 10 years old.

The power had gone down in the house because of a big ice storm, and that's the world-class time I really do call up having symptoms of high blood sugar — stomach sickness from hyperglycaemia. I remember that I had labeled two big Gatorade bottles "for emergencies lone," but drank them both because I was so thirsty.

My fifth-grade teacher said I was always going to weewee a lot, and when we drove to Nashville about 40 minutes away, we successful so many stops for ME. I looked so emaciated and had a stratum of white sugar along my tongue. That's when I got the diagnosing at Fort up Campbell Hospital, and they sent me in an ambulance to the hospital at Vanderbilt where I stayed for 2 weeks.

I didn't fully appreciate what a lifelong disease was at that time, and for the first couple years, it was smooth sailing before my insulin necessarily increased in in-between and senior high school. And I figured out I wasn't like other people, and I'd be precise witting of those low and high feelings.

How did you first get in music?

Austin Kramer

I had been unclothed to euphony rude, learning piano from my gran who was a piano teacher. That was when we were in Tennessee, about the metre I was diagnosed. She also played trombone in a vocal band her whole life, and then my family has been musical, and I've always been more or less it.

Really, I grew up on grunge and rap from the East and West Coast. I was in a isthmus in shrill school and college and played the drums. But I ne'er thought I'd be in radiocommunication and regular wont to ridicule of it.

What finally pushed you towards radio?

Having a dad in the military and automotive around, we drove long distances, especially in the Midwest. So having FM radio was just eclipsed by the chance that XM satellite radio provided. I was obsessed with the uninjured idea. We in use to listen to Casey Kasem in the elevator car quite a fleck and I was a rooter of radio, but when I hit the grease part of my life, I was all about "make out the mainstream music." Eventually, I became more obsessed with presenting medicine in a linear manner. In that respect's an art build to it, and it's same of the best ways to split new and bring in people to new music — in that present moment, especially when they're unequalled in their cars operating theater while touring. That is how I came just about to the notion of radio being a crucial piece of the music world.

My dad had an ethanol plant in Nebraska, and my brother and I in use to drive to Nebraska for the winters and summers to act upon for him. He gave the whole category XM as a gift, for the drives. The whole idea of IT beingness available with no commercials, or signal dropouts, was a big affair for us. I became obsessed with the technology that you could be anywhere and still being able to hear whatever was coming out of the satellite.

It really was magical, and there were so many people who took me under their wing in those earlier years when satellite radio set was still a relatively recently construct.

What was it like-minded working for SiriusXM?

When I was studying music in Denver, I interned for XM in Washington D.C., and they hired me the following year. At that time, XM was not yet a part of Sothis, quite IT was a contender. XM used high technology for processing the audio to digital, and the choice was so much higher at XM.

When they integrated and many populate were Army of the Righteou go, I fortunately wasn't one of them. I jolly much kept my channelise downhearted and stayed in the studio, and it was real a magical undergo having so many mentors and exposure to artists coming through these peaky-tech studios.

The culture was really groundbreaking, and the companies were inundated of hoi polloi World Health Organization were displeased with the diligence and what has become the commercial message radio downfall. That made expanded playlists, and added more brand-new music and multifariousness and a plethora of channels for whatever subscribers might privation to listen to.

I did a mint of pop and adult John Rock at first when I was a yield assistant, merely really my heart was attracted to dance music. EDM (electronic dance medicine) was a mainstream XM channel at the time, and I cut my teeth on the technology for dance music specifically. I offered my show as a current music offering, with 1 to 2 hours of brand name-new artists.

Why did you focus along EDM music?

I realized quite an cursorily in my first year of computer programing that at that place's a great deal of art that doesn't get played. That's really where my heart has been, in uncovering for dance medicine. Information technology was close to that sentence in the mid-2000s that US was really introduced to the EDM gurgle that had been such a phenomenon in Europe for decades. For me, it was real an amazing time to realize some early artists World Health Organization are instantly a lot creating in this industry.

So that led you to Spotify and beyond?

Information technology was still a new technology for America in 2015, later on being founded in Sweden. They wanted to figure out genres instead of just having playlists, so that was my next job. I built all the dance and physics music playlists that represented each subgenre and built the playlists that are still available straightaway nether the "dance music" category. Those were my babies, and I did that for 5 years.

Past my married woman and I wanted to move to FL, and I considered the task complete with all the subgenres represented the optimal they could be, and on that point were batch of avenues for new music to be heard connected Spotify. It's flourishing today.

Did diabetes impact your work in the music diligence?

Travel very ordered me off, in doing know broadcasts, peculiarly late at nighttime and early mornings. That was a great deal of emphasis connected my body with diabetes, so acquiring a CGM (continuous glucose monitor) ready-made a big difference for me. I'd had nonuple lows concluded time, and my roommates and boss had to save Pine Tree State. It literally changed my life when my doctor recommended a CGM for Pine Tree State. I've been using Dexcom since 2014.

What is your newest venture complete about?

I wanted to be book binding on the creative side of music, which goes back to my playing in a band when I was younger. I loved that again so bad, and we were sick of organism in a tiny New House of York apartment with no gondola, and so we went back to our roots and moved to Sunshine State.

Today, I help new artists and labels and managers make an appearance in the industry in the occurrent scope of terpsichore music. I serve them figure out the best practices, while also launching a tuner show. That was along my pail list for many age.

The compulsion with making playlists and platforms, digital consumption of subscription-settled music is keen and all, and that's the trend straightaway. But what I thought was missing was a proper introduction to artists, like what I'd done ahead. I uncomprehensible that one-on-one with artists, about "Why did you make this song?" and "What does it mean?" It's so much about the spirit of how a song is scripted, and we've somehow lost that. There's so much to choose from, but there isn't as much appreciation for wherefore soul created a song. It's so sad to me, and I want to spotlight that every bit very much as possible.

I didn't have that at Spotify, and I missed it, so that's what I'm yet.

My novel weekly show that started in Apr 2021 is "UNreleased," on Tomorrowland radiocommunication online, and IT's a live stream on YouTube. I'm e'er figuring out what's the new track, the new creative person, and highlighting new songs weekly.

What about your new diabetes playlist?

I've been building this playlist for over a decade and was finally able to found it for Diabetes Awareness Month in November. It's been a of import discovery because I've kept a shortlist of people o'er the years who are associated to diabetes — themselves, brothers, sisters, kids or parents, best friends — any affiliation.

That's what my "DiaBeats" playlist is about artists with whatever affiliation to diabetes. That can be artists from classic rock and roll, psyche, R&B, dance, cross-genres, non just danceroom music. IT's really meant to interject positivity and uplifting sentiment into the ecosystem. It's a really primary hypothesis of a playlist.

While separate playlists might be focused on the sound Oregon the acoustics, this one is not. It's supported an uplifting vibe, yes, simply it's music made by those touched away diabetes someway.

Whenever I'd interview artists, I was forever curious what they view when seeing this CGM sensor on me or seeing Pine Tree State mouth about it on social media. It'd likely follow very interesting to them, but they might ne'er bring it up. Or they might even beryllium connected to someone with diabetes, but in that location was no political platform to talk over it. Not that they'd need to, but it's in the same kingdom of going rich on WHO the artist is and what influences their music. We could have this connector, but people might not know it, and it'd never represent discussed. That's what it feels similar, and there's a "where have you been?" moment.

My song "Dex In Me Paunch" too features my momma and dad on vocals, bee-bopping. So that's fun, too.

I've finally gotten this playlist out, but it's not tensed, and it's being adjusted on a every day basis. You learn virtually new situations all the time, and there's always spick-and-span music to find. Hopefully, this may live an boulevard for dance artists — and all artists — to feel safe under this umbrella in a positive manner.

Source: https://www.healthline.com/diabetesmine/austin-kramer-music-type1-diabetes

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